Opera in Three Acts |
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Synopsis |
ACT I. As the congregation of St. Katherine's Church sings a closing hymn, the young knight Walther von Stolzing tries to catch the eye of Eva Pogner. After the parishioners have filed out, she informs her suitor that she is to be betrothed the next day to the winner of a song contest sponsored by the local Mastersingers. Eva's companion, Magdalene, tells her sweetheart, David, apprentice to the cobbler and poet Hans Sachs, to explain the rules of song composing to Walther, who is taken aback by the complicated ins and outs of mastersinging. David's fellow apprentices set up for a preliminary song trial, and the Masters arrive; but before the group's secretary, Kothner, can call the roll, Walther applies for the contest, making an enemy of fellow contestant Beckmesser, the town clerk - a spiteful, jealous pedant, suspicious of anything new. As proof that tradesmen value art, Pogner offers his daughter's hand as prize for the next day's contest. When Sachs suggests that Eva - and the people - should have some say in the matter, Pogner announces she may reject the winner but must marry a Mastersinger. Now Walther introduces himself, describing his self-taught, natural methods of composition. Going on to his trial song, Walther sings an impulsive, free-form tune, breaking all the Masters' rules, punctuated by Beckmesser's chalk and slate to count the errors. Rejected by the Masters, the young knight stalks out, leaving Sachs to muse on the distinctive appeal of Walther's melody. ACT III. Reading a book in his study the next morning, Sachs forgives David his unruly behavior and bids him recite his St. John's Day verses. Alone, the cobbler ponders the world's madness, then greets Walther, who tells of a wondrous dream. Sachs recognizes a potential prize song; taking down the words, he helps the knight fashion them with an ear for form and symmetry. When they depart, Beckmesser limps in and noses around. Pocketing Walther's poem, he is caught by Sachs, who tells him to keep it. Beckmesser, certain of victory, rushes out. Eva now visits Sachs on the pretext of a pinching shoe; Walther returns dressed for the festival and repeats his prize song for her. She is torn between the two men, but the wise older man turns her to the younger. When Magdalene comes in, Sachs promotes David to journeyman with a box on the ear and asks Eva to bless the new song, which all five join in praising. Then they go off to the contest. |
Die Meistersinger von Nürnberg (Complete) Amsterdam, 2013 Marc Albrecht, conductor |